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Drawing a healthy mix of material from Steven's latest releases as well as classic early work, this evening's two-and-a-half-hour performance kept fans on their feet from open to close. And Steven would make sure that it was an evening not just to celebrate but to remind us of what is important in our lives. After driving several miles farther on we stopped, and I placed my Hasselblad camera on a tripod and asked him to drive a half-mile down the road, then turn around and head toward me. Bruce humored me as I made some photographs, and then the sky began to darken. After I shot a roll, we left the road and went back to Interstate 80 to a nearby roadside café. In less than half an hour the sky had turned black, and I insisted we go back to the gravel road. As a cumulonimbus cloud formed in the sky above the long, thin ribbon of a road going off in the distance, I photographed as Bruce drove the car toward me several times, kicking up a dusty plume. Soon it began to rain as flashes of lightning filled the valley. The hypnotic scene etched itself into our eyes and minds, and a few days later Bruce wrote the lyrics to a song called "The Promised Land." I will never forget hearing the words for the first time: While the recent images collected in Fierce Beauty were captured without Springsteen physically in tow, Bruce was never far from Eric's mind as he continued his treks to storm country. The feature-length documentary, which first began to take shape while Clarence was still alive, provides an overview of Big Man's time on and off E Street, and then delves deeply into his personal spiritual journey to China, its lasting impact, and the unique, moving and powerful solo music that flowed from it towards the end of his life. And then once we had the voiceover, we needed something for it to "voice over." So Thom had some images, and we'd shot a little film during the photo session for the record, and we just started to play with that, and it started to feel good. and then I started to score the voiceover, and that got us into this whole other section of the film. Which is really what turned it into a movie, you know, rather than just a concert film. So it really happened very organically, just bit by bit. Appropriate to the setting, 11/24/96 includes three early favorites from Greetings From Asbury Park, N.J.: "Blinded by the Light," "Does This Bus Stop At 82nd Street?," and "Growin' Up." Not only was this a dramatic departure from the typical Joad set, it was stunning simply to hear those songs performed solo, and acoustically, much as John Hammond did at his Columbia Records office in the early '70s. But as much as this performance looks back, it also points the way forward. THE BIG MAN JOINS THE BANDWIDTH Clarence Clemons: Who Do I Think I Am? launches on Netflix Beginning tomorrow, Thursday November 14, Netflix subscribers can stream Nick Mead's award-winning film, Clarence Clemons: Who Do I Think I Am? That song was the dark heart of the night. But this Asbury release reveals a Joad show that had lightened considerably, as Springsteen deftly wove a place for old songs and old friends, and did so with customary flair. #91 IS HERE! Our massive new issue honors a very Big Man. More than half of the 116-page, perfect bound Backstreets #91 is a tribute to the life and music of. do we have to say his name? #BruceSpringsteen shares what it was like meeting Frank Sinatra for the first time with @BenMank77. Join us on 11/2 at 3:30pm ET as Bruce and Ben discuss classic film, his new movie #WesternStarsMovie, and more! After a hearty hand-clasp with Stewart, Springsteen stepped to center mic, harp rack in place and already strumming his acoustic, to begin not with usual favorite "Working on the Highway" but instead "Bobby Jean" [VIDEO]. Without Patti Scialfa, who often joined her husband for duets here in years past, Bruce continued to offer a different mix of material in a five-song solo set: "I'll Work For Your Love" [VIDEO], "I'm on Fire" [VIDEO], and a Springsteen on Broadway- style "Dancing in the Dark" into "Land of Hope and Dreams" [VIDEO]. Regular attendee Eason Jordan, who shot these photographs, tells Backstreets, "I was especially moved by his opening number, 'Bobby Jean.' I'd never heard it solo, and it was lovely." For more information on upcoming shows such as these, check out our Concert Calendar. Today's archive release is November 24, 1996, the first night of that stand. It's the third Joad tour archive release, following Belfast (March 19, 1996) and Freehold (November 8, 1996) — the latter another local special from just a few weeks prior, but with a markedly different setlist and tone. REMEMBER ALL THE MOVIES Saturday with Springsteen matinee double feature on TCM tomorrow Tomorrow afternoon it's time to break out the popcorn — and maybe two raw eggs and a shot of gin — as we have the chance to take in a double-feature with Bruce Springsteen. Bruce will appear on Turner Classic Movies on Saturday, November 2, to "guest program" TCM for the afternoon, talking film with Ben Mankiewicz and presenting two of his favorite movies. DARK CLOUDS RISING FROM THE DESERT FLOOR How a 1977 road trip with Springsteen led to Meola's latest work Photographer Eric Meola, well known to Bruce Springsteen fans from his cover photographs for Born to Run and The Promise, and books such as Born to Run: The Unseen Photos and Streets of Fire, has a new book out today — and it shows just how seriously he took that line, "I packed my bags and I'm heading straight into the storm." — Bob Woodruff Foundation (@Stand4Heroes) November 5, 2019. An hour's drive west of Valmy, if you turn south on State Route 400, you will soon be on dirt and gravel roads leading off to the Humboldt mountains to the east. That summer in 1977 I was with musician Bruce Springsteen, and I was making photographs that eventually would be used on an album called The Promise. Driving on one desert road after another for nearly thirty hours straight, with the top down on our rented, red 1965 Ford Galaxie, we turned left on S.R. 400, swerving through the washboard ruts, heading toward Unionville on a gravel road that went into the Humboldt Range and beyond, into infinity. LIGHT OF DAY WINTERFEST 2020 ON SALE SATURDAY, NOV 9 For two decades now, the Light of Day Foundation has been fighting Parkinson's (and related illnesses ALS and PSP) through the power of music, hosting plenty of amazing concerts along the way — that all-hands-on-deck party shot above is from 2015, when Bruce Springsteen made one of his many appearances at Light of Day's annual "main event," now part of an extended festival called Light of Day Winterfest. With "World of Our Own," Steven reflected on the great girl groups of the 1960s, giving a nod not only to the great songwriting teams that created the hits of that era but to the importance of seeing these groups rise to success and perform on the top television programs of the day. A time when, in a male-dominated music scene, young girls could watch and feel empowered to follow in those footsteps. STEVIE'S BACK! Little Steven and the Disciples of Soul, November 2 Chevalier Theatre, Medford, MA After an eight-week hiatus from his Summer of Sorcery Tour, allowing Steven Van Zandt to recover from sinusitis, Saturday's return to the stage showed absolutely no ill effects from the break. Little Steven and the Disciples of Soul were ready to rock Boston, and rock they did. Later in the evening Springsteen returned to close the show, introduced by Jon Stewart. No stranger to introducing the Boss, this time Stewart related that the next performer "decided to take a little break from touring on the road — you know, to take it easy for a little bit — so in that time he wrote a #1 bestelling autobiography, turned that #1 bestselling autobiography into one the of the greatest Broadway shows I've ever seen in my life, turned that into a phenomenal Netflix special, and then decided — just for schnicks, 'cause he was bored — to put out a fantastic album and movie that goes along with it, Western Stars. The point is this: you people. need to get off your asses and start doing things. Setlist: Redemption Day (with Sheryl Crow) * * * Bobby Jean [Sex shop joke] I'll Work For Your Love [Bob and Ray joke] I'm on Fire [Bridge builder joke] Dancing in the Dark Land of Hope and Dreams. - November 1, 2019 - Holly Cara Price reporting. "There's lots of material that I didn't use [in Fierce Beauty], " the photographer tells Backstreets. "Old buildings, churches, small towns. I wanted to concentrate on the storms, so in the end I decided not to use most of that material except for a few images in the introduction. But every time I was in a small town, one or more of Bruce's lyrics would come to me. I'd see a vignette of everyday life, and it was as if he were there. In the last page or two of the intro I recount some of those scenes, one in particular about a waitress in a cafe, and a farmer in overalls. I wish Bruce had been there to see and hear that, because I know it would end up in a song." TO THIS ONE I'M SWORN Springsteen continues aid to veterans at 13th annual SUFH Monday night, November 4, Bruce Springsteen returned to the Hulu Theater stage at Madison Square Garden to perform at the Stand Up for Heroes benefit — for more than a decade, a regular November date for him — to honor and assist wounded servicemembers and their families. In the front rows, a group more than 60 veterans and their caregivers sat as honored guests for Bruce's set and the rest of the evening's entertainment at the annual New York Comedy Festival fundraiser. “Chasing storms is a rite of spring for me,” Meola writes. "It’s in my blood and I feel empty when I’m not there. No one can express what it’s like to stand on the plains while lightning and hail strike the ground around you.” (L-R) Poole and Amodei visiting E Street Radio last month; Chapman at Monmouth U. A prized industry honor, the Critics' Choice Documentary Awards are an off-shoot of The Critics’ Choice Awards, which are bestowed annually to honor the finest in cinematic and television achievement. - November 12, 2019. This night marks Springsteen's first official Asbury Park concert in decades (guest appearances and Stone Pony surprises aside) — before all those rehearsal performances and holiday concerts in Convention Hall, from 1999 on. Like the Freehold performance, the three shows here took cues from Springsteen's past. Belfast was a straight-up Joad show, but with its sense of place, Freehold set the stage for the Boardwalk: with only five selections from the Tom Joad LP ("Straight Time," "Sinaloa Cowboys," "The Line," and "Across the Border," along with the title track), the Paramount Theatre shows fully embraced Springsteen's own musical history. - November 13, 2019. As bobwoodrufffoundation.org reports, the 13th annual Stand Up for Heroes raised more than $5.7 million to support veterans through the Bob Woodruff Foundation. Since its inception in 2007, it has raised more than $55 million. Click here for donation options. - November 6, 2019 - photographs by Eason Jordan - thanks to Sammy Steinlight. Tickets go on sale tomorrow, Saturday, November 9, at noon Eastern. Many of the events, including the Saturday night Paramount show, will be on sale via Ticketmaster; also check lightofday.org for many more details including ticket package options. - November 8, 2019 - photograph by A.M. Saddler. The oversized (15"x11") hardcover presents that narrative in not only Eric's breathtaking images but also his words, eloquent as usual. With his permission, we can reprint here a portion of his Introduction. Unlike the rest of the tour, the three-night stand in Asbury featured special guests. Soozie Tyrell and Patti Scialfa graced "Shut Out the Light" with violin and voice, also appearing together on "Two Hearts" and "When You're Alone"; Soozie added fiddle to a rare "Racing in the Street." Danny Federici brought his accordion and famous boardwalk sound for "Wild Billy" and "Rosalita," and later, for the night's penultimate number, when he accompanied Springsteen on "Sandy." Especially given that the E Street Band had yet to be reunited and rededicated, this one was a magical boardwalk moment. Over the three-night run, Bruce invited Scialfa, Tyrell, and Federici along with Big Danny Gallagher, Vini Lopez, and Little Steven to join in on different songs, further exploring the mighty Glory Days of Asbury; this was probably as cathartic for them as it was for fans. At some point I said, 'Well, gee, this is all new music, how am I going to get people into the inner life of these songs that they've never really heard before?'. I need to introduce them somehow. And one night in front of the television I was sitting there and I just started to scribble my thoughts down for each song. And it was all right there. So I ended up with the script that that is the voiceover. Organized by Backstreets in 2001, this storehouse of Boss books and magazines is the largest such collection outside of Bruce's mother's basement. Thanks to the generosity of fans around the world, total holdings are now well over 15,000. But the collection is by no means complete. It would take more than three decades before I went back — not to Nevada, but to Tornado Alley and the Great Plains. As I watched TV one night in the spring of 2012 and saw the havoc wreaked by the dark blur of a tornado, I thought back to that night in 1977 when we were racing the storm. As the survivors told their stories of loss and devastation, I had an epiphany—the time had come to go out to the plains to photograph the fierce beauty we had witnessed that night in Nevada. I owed myself a road trip. I had a story to tell, and photographs to make. Visit TeachRock.org for further details about the November 23 gala in NYC and to purchase tickets. - November 10, 2019. THE BOSS BANDANA RIDES AGAIN For Bruce's new soundtrack album, a new Western Stars bandana! THE SPRINGSTEEN SPECIAL COLLECTION. Steven took a moment to single out current Disciple Lowell Levinger AKA "Banana" (keyboards and mandolin) as a musician for whom he holds the upmost respect [above]. As Stevie cited Levinger's band The Youngbloods, Banana graced us with "On Sir Francis Drake" from his group's 1969 album Elephant Mountain. As Steven said, "Without Sir Francis Drake, there would be no California; without California, there would be no Los Angeles; without Los Angeles, there would be no Beach Boys; and without the Beach Boys, there would be no Summer." DOW, NASDAQ, S&P 500 & SVZ INDEX ALL UP AT FRIDAY'S CLOSE Fresh off his latest world tour — the Disciples of Soul closed out their Summer of Sorcery last week in Boston and NYC — Steven Van Zandt guested on Yahoo Finance's The Final Round on Friday. You'll find embedded interview clips at that link. A storm in the desert had provided Bruce with the material for an anthem, and he ended each stanza by declaring "I believe in a promised land." I always wanted to go back to that biblical, storm-filled day when we drove up on a hilltop and watched as lightning revealed the valley floor in staccato bursts of thunder. Standing in the rain as the wind whipped against our bodies, we leaned into the squall, laughing with sheer energy as though we were privileged to be present at a small moment of Creation. I photographed several bolts of lightning from the hill, and then we drove down into the valley and back out onto Interstate 80, heading west toward Reno. Years later, there would be an autobiography that struck us to the bone with its stark honesty, and a Broadway production marrying that book to a solo show. Most recently, we can point to the bold remembrances that frame the songs in his directorial debut, Western Stars . For Steven, the work teachers do is paramount. His efforts with his TeachRock educational program and the open invitation for teachers to attend his shows for free is evidence enough, but Saturday night he spoke passionately about the profession, with a shout-out to what he described as "the most underpaid and most highly important position today. teachers, they create our future." Cue up Summer of Sorcery' s "Education." "I always wanted to go back to that day," he says, and he's been making that dream a reality (as much as anyone can) by returning again and again to America's Tornado Alley when the conditions are right. For this series, Eric tells Backstreets, "I did 19 trips with [storm chasing company] Tempest Tours, and another dozen on my own — all in all, I made about 30 trips." In August 1977, a few days after Elvis Presley died, I stood in the muggy air on a hot summer night outside a gas station in Nevada owned by Eugene DiGrazia, who had bought the property in 1932. "Gas station" is a misnomer, for the Valmy Auto Court, lit by neon like an Edward Hopper set piece, was once a miner's shack dating to 1900 that had evolved into a combination general store, post office, Shell station, and Greyhound bus depot. At that time the population of Valmy was less than three-dozen people and a few dogs. DiGrazia had been appointed the town's postmaster by Franklin D. Roosevelt's postmaster general, and the notice of that appointment was tacked to a wall. From the opening chords of "Communion" (also the lead track from latest album Summer of Sorcery), as the backup singers and horn section took the stage in New Orleans Second Line style, you knew this would be an evening of celebration. Steven and the Disciples made it very clear this was a night to step away from all the troubles of the world, to celebrate the joys and freedom "summer" brings (even though it was a chilly November night), and to make it a party. Tomorrow, tickets go on sale for Light of Day Winterfest 2020, celebrating the organization's 20th anniversary from January 10-20. With more than 50 events by 150 music acts in five cities and three states, Light of Day's annual anchor event continues to grow — we encourage you to visit the LOD wesbite for details on the complete Winterfest lineup. The boss is in the building! @BruceSpringsteen, a longtime friend of @Stand4Heroes, and a passionate supporter of our nation’s veterans, closes out the show. Thank you, Bruce, for taking a #Stand4Heroes with us - tonight and always. pic.twitter.com/aQVTLlXKLb. "Bitter Fruit" brought the house to a fever pitch, featuring a great "drum-off" between Anthony Almonte on percussion and Rich Mercurio on drums, segueing into the classic "Forever" to close out the set with the house shaking. From the standpoint of nearly a quarter century later, it is astonishing to see how the 1995-'97 World Acoustic Tour led Bruce Springsteen's artistic trajectory to where it is now. We can now trace the 70-year-old man of today to the one who walked onstage to present the ghostly tales of John Steinbeck's Depression-era hero Tom Joad back in the mid-'90s. And how that album resonates right now, with its accounts of desperately sad and forgotten people roaming the dark byways of America, and those who risked everything to cross over from a much worse elsewhere to the Promised Land. Check our Save Tillie page for the latest developments. This was first of the two remaining shows on the Summer of Sorcery Tour, with the final performace this Wednesday, November 6, at New York's Beacon Theatre — both being filmed for an upcoming live DVD. Steven will also appear in NYC later this month as the guest of honor for TeachRock's First Annual Gala, November 23 at the Hard Rock Café. - November 4, 2019 - report and photographs by Barry Schneier. Willie Nile Bobby Bandiera Southside Johnny John Eddie JoBonanno Joe D'Urso. and more. In earlier years, an auction was typically part of the show; Bruce would often sweeten the pot with the addition of his mother's lasagna, or a guitar lesson, to further benefit the Bob Woodruff Foundation. The fundraising portion of the show itself has been minimized, so no more auctioneering from the Boss. but the crowd did still get his comedy stylings. In the event's 13 years Springsteen has only missed it once — so that's been a dozen opportunities to groan at some corny, dirty jokes. For his riffs on dildo shopping and more, we have Andy Greene at rollingstone.com to thank for transcriptions. FIERCE BEAUTY SPECIAL OFFER FROM SNAP GALLERIES Earlier this week we posted about Fierce Beauty , the new book from photographer Eric Meola in which he returns to capture the kind of desert storms he first witnessed with Bruce Springsteen in 1977. Back for a five-song encore, Van Zandt offered that his friend Bruce Springsteen hadn't been working for a while — so we should all go out and see Western Stars to ensure Bruce has some income during this time. That brought a Disciples rendition of "Tucson Train" before they finished the night with "Out of the Darkness," sending us home with not just the satisfactions of a lengthy break from the stressors of life but an inspiration to carry these messages of hope and joy forward. In addition to the preview clip above, you can see two more at rollingstone.com. As Rolling Stone reports (and as you'll recognize if you caught Gayle King's recent visit to Stone Hill Studio on CBS), "the interview segments were shot at Springsteen’s home studio in New Jersey." - November 1, 2019. Backstreet Record s is the mailorder division of Backstreets, delivering Springsteen merchandise to fans for more than 25 years. We carry numerous collectibles, tour shirts, books, magazines, and imported CDs and records. The world's best selection of Springsteen collectibles, all available by mail. Three of those writers will appear at a book event in Washington DC next week, along with Jonathan Cohen, who co-edited the collection with June Skinner Sawyers. ©1998-2019 The Backstreets Publishing Empire. "Ladies and gentlemen, the man, the myth, the legend — Mr. Bruce Springsteen." Fierce Beauty: Storms of the Great Plains is out today from The Images Publishing Group of Australia, available now from Amazon or wherever you get your books. - November 11, 2019 - Christopher Phillips reporting - all photographs by Eric Meola. Belfast '96, Helsinki '03 and '12, Leeds '13, London '81, Rome '13 and Stockholm '88 are all from the live archive series; the rest of the playlist fills out thanks to the nightly tour releases from 2014 and 2016. Grab your ticket and your suitcase and listen now via Apple Music, Spotify, Amazon, Pandora, Tidal, or Deezer. - November 15, 2019 - cover photograph by Jim Marchese. I WASN'T JUST TALKIN' Springsteen wins CCDA for Western Stars, for Best Narration Congratulations to Bruce Springsteen for winning a coveted Critics Choice Documentary Award — already! — for the Western Stars film. As Deadline reports, the fourth annual ceremony was held in Brooklyn on Sunday, and Springsteen won in the "Best Narration" category, as both narrator and writer. There's a dark cloud rising from the desert floor I packed my bags and I'm heading straight into the storm Gonna be a twister to blow everything down That ain't got the faith to stand its ground. As a 3:30pm matinee, John Ford's The Searchers (1956) is up first, the classic John Wayne Western that has long been a favorite of Bruce's. For the second film, at 5:45pm, Springsteen selected Elia Kazan’s A Face in the Crowd (1957), in which "a female radio reporter turns a folk-singing drifter into a powerful media star." LONG WALK HOME BOOK EVENT IN DC, NOVEMBER 12 With all the hubbub surrounding Springsteen's 70th birthday, we hope you haven't missed Long Walk Home, published on that day by Rutgers University Press. Subtitled Reflections on Bruce Springsteen, it's a collection of new essays by some fine writers and longtime followers, including Eric Alterman, Peter Ames Carlin, Greil Marcus, Louis Masur, Lauren Onkey, Richard Russo, Colleen Sheehy, A.O. Scott, Wes Stace, Frank Stefanko, Daniel Wolff. the list is long. The 2020 "main event," Bob's Birthday Bash (celebrating LOD founder Bob Benjamin) will be held on Saturday night, January 18, again at the Paramount Theatre in Asbury Park. While a full lineup has yet to be announced, a first wave of announced performers includes returning LOD stalwarts Joe Grushecky and the Houserockers, Willie Nile, Joe D'Urso and Stone Caravan, Jesse Malin, and Vini "Mad Dog" Lopez. In London last month to promote the film, Springsteen described to interviewer Edith Bowman how the film's voiceover developed, adding a crucial element to what was originally conceived as a straight performance film: For older news, visit our News Archives. We also post all known concert dates for some of our favorite Jersey Shore (and Shore-adopted) musicians: Clarence Clemons: Who Do I Think I Am? is a Virgil Films release. It was directed by Mead, who co-produced it with Joe Amodei and Clarence Clemons. In addition to narration and onscreen appearances by Clemons himself, the documentary also features interview footage filmed with many who knew Big Man and/or were inspired by his life and music, including Jake Clemons, President Bill Clinton, Nils Lofgren, Narada Michael Walden, Backstreets editor Chris Phillips, and Backstreets contributor Shawn Poole, who also served as the film's chief researcher. FIGHT THE MONOPOLY With the Ticketmaster / Live Nation merger approved, we encourage fans to get involved to help protect ticket-buyers. Stormchasing is exactly what Meola has been focusing on in recent years. Four decades on, still inspired by the road trip he and Bruce took into the Nevada desert to make images for the Born to Run followup, the photographer has been capturing twisters and other dramatic, stormy landscapes from America's heartland. The very weather that inspired "The Promised Land" — he and Bruce witnessed that "dark cloud rising" together back in 1977 — clearly left its mark on Eric, too. Wrecking Ball makes Rolling Stone' s 100 Best Albums of the 2010s 30 years later: "Who brought down the Berlin Wall? It might have been the Boss" [LATimes.com] The Queerness of Bruce Springsteen [The Nation] In a 1987 interview with the Los Angeles Times writer Charles Hillinger, DiGrazia said, "I bought the gas station, store, post office, bus depot. when I was 19 for $1,800. I later bought 140 acres surrounding the place for $2,100. the station had only one pump and in the beginning cars and trucks were few and far between. A narrow two-lane road went through here. Gas sold for 25 cents a gallon. I paid 191/2 cents for it." DiGrazia continued, "We saved for 12 years to get a telephone and have contact with the outside world. I bought 30 telephone poles for $1,500 in 1942, and a friend and I strung a wire along the poles for 21/2 miles to tie in with the main telephone line." And then he added, "Whatever happens, as long as I live, I want Valmy to stay just as it is today, which isn't much different than what it was when I first came here." A few tickets remain available. Click here to buy yours. - November 5, 2019. Steven has never been one to shy away from politics. In the past he's said that he was compelled to bring up issues that weren't being noticed. Less so today — in our politically saturated culture, he considers his concerts more useful for giving us a break from it all. He did, however, discuss the principle of the "false choice" — as in, being told you can have a good economy or a clean environment. You can be a patriot or a global citizen. As Steven argues, you can be both. With that he introduced "I Am a Patriot," dedicating it to Greta Thunberg. Also read: Erik Flannigan's latest nugs.net blog entry, "A Place Where You Could Find Yourself" The resulting landscape images are truly awesome — in the original sense of the word. Dust storms, lightning strikes, threatening twisters. scenes of the vast elemental forces at work, the power and sometimes otherworldiness of nature in Tornado Alley. If you follow Eric on Facebook, you already know. With today's publication, he has collected more than 100 of these photographs in Fierce Beauty: Storms of the Great Plains. "It's probably been the most productive two years of my life," Stevie says, looking back at his recent output and looking ahead to his Early Work box set coming next month — "which will be my fifth album project in two years! That's the most productive I've ever been." Subjects include Stevie's philanthropy and deep involvement in music education; his political activism; the upcoming Rock and Roll Forever Foundation Gala, where he'll be honored in two weeks; his work on stage, on television, and with the E Street Band; and his recent pedal-to-the-medal solo career. Paramount Theatre, Asbury Park, NJ, November 24, 1996 - photograph by Mark R. Sullivan. Links below take you directly to the two interview clips: The tour's intimate setting and radically different tone highlighted Springsteen's self-deprecating humor. It was alternately known as the Shut The Fuck Up tour — because he warned every night that the audience had better do so or risk him abandoning his "man of the people image." Obviously, Springsteen had spent a lot of time thinking about his life and his work; he had been irrevocably changed by love, marriage, and having a family. We did not know this guy, exactly; it was the first time we had ever met him. He was beginning to peel his own soul like an onion, a process that would go on for years, and reveal more of himself with every layer. It's been an ongoing journey that we are lucky to witness, an act that helps us learn about ourselves as well. The signed print is a B&W image from that original 1977 trip to Nevada, a scene that should be familiar to Springsteen fans (see the cover of The Promise), and very much a companion piece to a photograph featuring Bruce that appears in the book. Purchase the book plus signed print (which you can have dedicated, if you so choose) from Snap by U.K. midnight this Sunday, November 17. - November 14, 2019 - photograhs by Eric Meola. Also on this year's bill were Jon Stewart, John Oliver, Ronny Chieng, Hasan Minhaj, Frédéric Yonnet, and fellow singer-songwriter Sheryl Crow; Springsteen's first appeareance of the night came when he joined Crow for a duet. In the middle of her three-song set, she welcomed Bruce to the stage (to much Brooocing, of course), and the pair blended acoustic guitar and vocals on Crow's "Redemption Day" from her 1996 self-titled album. The performance also let Bruce walk a bit in Johnny Cash's shoes — Cash's recording of the song appeared on American VI: Ain't No Grave , and Crow revisited her song earlier this year as a posthumous duet with the Man in Black. Springsteen himself wrote a blurb for the new book, setting the scene well for Fierce Beauty: "In 1977, Eric Meola and I took a trip to the American Southwest to take some photos for my album, Darkness on the Edge of Town . As usual, Eric caught some great pictures but what he really captured was something in the sky and in the lay of the land that deeply revealed the grandeur and character of the country. This book extends that narrative and reaches something profound. " Many from the Springsteen community banded together to preserve this Asbury Park landmark. and Tillie has now been saved! Paramount Theatre, Asbury Park, NJ, November 24, 1996 - photograph by Mark R. Sullivan. Lesser played touchstones — "Wild Billy's Circus Story," "Rosalita," and "4th of July, Asbury Park (Sandy)" — folded seamlessly into the fabric of the usual tour setlist (November 24 features four tour debuts: these, plus "Independence Day"). The brilliant pairing of "Shut Out the Light" and "Born in the U.S.A." — drastically re-arranged, almost to the point of not being recognizable — revealed the depth of sorrow and heartbreak for those who fought hard and long for our country while getting so little back. If these images and that story capture your interest, here's a special offering from Eric and his gallery in the U.K., Snap Galleries: for a limited time, now through this weekend (extended just for us!), you can get a signed, dedicated print along with your First Edition hardcover of Fierce Beauty. Check our Fight the Monopoly page for the latest developments. Pink waiting all day for sunday night download. Paying tribute to his own history, Van Zandt treated the audience to a three-song medley of material he and Bruce Springsteen wrote together for Southside Johnny and the Asbury Jukes: "Little Girl So Fine," "Trapped Again" and "Love on the Wrong Side of Town." THE BOARDWALK IS ALIVE TONIGHT Tom Joad brings friends to Asbury Park with today's live archive release Bruce Springsteen's tour for The Ghost of Tom Joad tour spanned an astonishing three years — a long run for a solo project. Close to the end of the second year, after touring all over North America and Europe, Bruce brought it all back home for three shows on the Asbury Park boardwalk, at the Paramount Theatre. After the dark ride that had been the Joad tour to that point, the Asbury stand allowed a ray of light to enter the proceedings, with friends and family joining in and a homecoming feel. Faith. That was the word that stayed with me from that stanza. In two lines, the confluence of "twister" and "faith" haunted me. What held the people to this land, and why did they live here? In his father's obituary in the December 2, 1990, Reno Gazette-Journal, DiGrazia's son stated, "I don't think he ever thought he could die. even at 77 he acted like he was 25. He was up and at 'em to the end." DiGrazia held his ground in Valmy as a jack-of-all-trades, including service for fifty-three years as postmaster, longer than anyone else in the West; and like Springsteen's father, he was also a bus driver. Exclusively from Backstreet Records, this official promo item ships FREE with the new Western Stars: Songs From the Film compact disc or 2LP vinyl pre-order. ONE MORE BIG NIGHT ON THE BIG SCREEN WITH THE BIG MAN This Friday night in Hopewell, NJ, gives you one more chance this year to see Clarence Clemons: Who Do I Think I Am? on the big screen. The Hopewell Theater will host a special screening of Nick Mead's award-winning film, followed by a talkback with the film's co-producer (and Virgil Films founder/president) Joe Amodei, Director of The Bruce Springsteen Archives & Center for American Music at Monmouth University Eileen Chapman, and Backstreets contributor Shawn Poole. Shawn served as the film's chief researcher and is among its interviewees, along with Backstreets editor Chris Phillips, Jake Clemons, Nils Lofgren, President Bill Clinton, and more. At this stage, re-arranging songs was fast becoming one of the more compelling aspects of Springsteen's songcraft. Known to occasionally build a new song from a line or two of an older one, now he took old songs and made them new — with no better example than the cornerstone of the show, closing the night once again, "The Promised Land." Stripped of its power rock dynamics, it became a somber anthem that told of dreams deferred and derailed, and yet, and yet… there was still hope. At the end, with his hand keeping rhythm under the dirge-like melody, Springsteen throws his head back, eyes closed, and forsakes the lyrics entirely to an otherworldly, fierce keening. Join Cohen, Deepa Iyer ("From the Backstreets to the Badlands: My Springsteen Journey"), Lauren Onkey ("Shackled and Drawn"), and Daniel Wolff ("Work and Play: Mid-Life Music") at Kramerbooks & Afterwords Cafe near Dupont Circle for a panel event on Tuesday, November 12, at 6:30, where they'll "discuss Bruce Springsteen's legacy and music" and sign books. See the Facebook event for further information. - November 8, 2019.

 

 

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